Join artist Lucy Kim for a conversation inspired by her exhibition Mutant Optics with law and bioethics scholar Osagie K. Obasogie and dermatology resident physician Linda Oyesiku, moderated by interdisciplinary scholar Temi Odumosu. Sitting at the intersection of visual culture, histories of science, and medical practice, this conversation will offer an interdisciplinary perspective on the social and cultural construction of race and perception. The point of departure for the conversation are Kim’s large-scale prints made from melanin, the same black and brown pigment that plays a key role in the color of human skin, hair, and eyes. The conversation engages Kim’s use of melanin as a framework to untangle the ways human appearance is subject to mutation in the social imagination, including the false myth of racial hierarchies. The speakers will weave together visual artifacts, storytelling, and scholarship in a dynamic conversation that interrogates the social forces that shape knowledge production and illusions of neutrality. About the Speakers Lucy Kim is based in Cambridge, Massachusetts. She received the 2022 Creative Capital Award for her project printing images with bacteria that has been genetically modified to produce melanin. Kim is also a recipient of the 2023 Brother Thomas Fellowship, 2019 Mass Cultural Council Grant, 2017 ICA Boston James and Audrey Foster Prize, 2014 Artadia Award, MacDowell Fellowship, Hermitage Fellowship, and Ellen Battell Stoeckel Fellowship. From 2018 to 2021, she was an artist-in-residence at the Broad Institute of MIT and Harvard. Kim has exhibited her work at the Institute of Contemporary Art, Boston, MA; the Broad Institute, Cambridge, MA; Institute of Fine Arts at New York University, New York, NY; deCordova Sculpture Park and Museum, Lincoln, MA; Tufts University Art Gallery, Medford, MA; Tang Teaching Museum at Skidmore, Saratoga Springs, NY; Brooklyn Academy of Music, Brooklyn, NY; among others. She teaches at Boston University, where she works with her scientist colleagues to further develop her experimental technique printing with melanin. Osagie K. Obasogie is the Haas Distinguished Chair and Professor of Law at the University of California, Berkeley School of Law with a joint appointment in the Joint Medical Program and School of Public Health. He is the author of Blinded By Sight: Seeing Race Through the Eyes of the Blind (Stanford University Press, 2013), which was awarded the Herbert Jacob Book Prize by the Law & Society Association. He has written essays for the New York Times, the Washington Post, and the Atlantic, and placed scholarly articles with the Harvard Law Review (forthcoming), University of Pennsylvania Law Review, Cornell Law Review, and Virginia Law Review, among others. Obasogie is an elected member of the National Academy of Medicine and has been awarded a Guggenheim Fellowship. His current work examines the role of science, medicine, and medical professionals in hindering the ability to hold police officers accountable when they use excessive force; analyzes the legacy of the American eugenics movement and its contemporary impact on law, science, medicine, and technology; studies how legal doctrine produces police violence; and exposes the often overlooked limitations of DNA databases when they are used in criminal investigations. Linda Oyesiku is a senior dermatology resident physician at the University of Washington. She earned a BA in Anthropology and Global Health from Emory University and MPH from Boston University. She was a Peace Corps Master’s International graduate student and served for two years in Mozambique. She has lived and worked as a trilingual researcher in public health and medical anthropology in Guatemala, Costa Rica, South Africa, and Mozambique. After a short career in research and public health, she earned her medical degree from the University of Miami. She is a founding member of the International Alliance for Global Health Dermatology (GLODERM). Her clinical interests include pigmentary & follicular disorders, pediatric, global health, and health equity in dermatology. She is an associate editor for the British Journal of Dermatology in the Global Health and Equity section. In her free time, she enjoys spending time with family and friends, travel, pickleball, food and visual/performing arts. She grew up in Atlanta, Georgia. Dr. Temi Odumosu is an art historian and curator at the University of Washington Information School, who is empowering the next generation of information professionals and technologists by centering imagination, empathy, and wellbeing. She spent a decade working in the Nordic countries interrogating the visual politics and legacies of colonialism and developing reparative memorialization practices in collaboration with contemporary artists, designers, and curators. Examples of this work include the participatory sound installation What Lies Unspoken: Sounding the colonial archive (2017) at the Royal Danish Library and Statens Museum for Kunst; and the exhibition Threshold(s) (2019) at the Center for Art on Migration Politics in Copenhagen. Dr. Odumosu is author of the award-winning book Africans in English Caricature 1769-1819: Black Jokes, White Humour (2017). Building on this work, her current research examines descriptive practices for cultural heritage institutions and is reimagining more ethical ways of representing challenging historical collections online. Recent writing includes her essay “Feeling in the Dark: Rediscovering Black Portraiture as Speculative Metadata” (2023) on Peter Brathwaite’s photographic performances, and the working document “Approaching colonial photographs with care” (2024) for the Digital Benin project. Generous support for this program is provided by the Imaginative Project Award. Accessibility The Henry strives to be a welcoming and accessible space for all visitors. Assisted Listening Devices (ALDs) are available for this program. Live captioning will be available. This program will also be live-streamed with automated captions via YouTube. For additional accessibility information, please visit henryart.org/visit/accessibility or contact Museum Services at 206.221.3850 or contact-museumservices@henryart.org with questions or needs.

Information Source: Henry Art Gallery | eventbrite

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시애틀

Mutant Optics: A Conversation | Henry Art Gallery Auditorium에 관한 정보와 티켓을 찾고 계시나요? 트립닷컴이 도와드릴게요! 지금 Mutant Optics: A Conversation | Henry Art Gallery Auditorium의 날짜와 일정, 기타 정보를 확인하시고 Mutant Optics: A Conversation | Henry Art Gallery Auditorium에 참석하기 전에 마음에 드는 항공편과 호텔을 최저가로 예약해 보세요! 트립닷컴에서는 이와 유사한 액티비티와 항공권+호텔 패키지를 할인된 가격에 더 다양하게 만나볼 수 있답니다. 지금 바로 여행을 시작하세요!

Mutant Optics: A Conversation | Henry Art Gallery Auditorium 날짜 및 일정 | 트립닷컴

Mutant Optics: A Conversation | Henry Art Gallery Auditorium

Henry Art Gallery

Mutant Optics: A Conversation | 트립닷컴

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null | 트립닷컴

다른 친구들의 생각이 궁금하신가요? 답변을 공유하고 이야기를 나눠보세요!

특별전시관

小思文

헨리 미술 전시관도 꽤 넓습니다. 전시실의 환경과 공간도 매우 좋습니다. 전시장 일부 지역의 건축 환경도 매우 적합합니다. .

포시즌스 호텔 시애틀

시애틀 '파이크 플레이스 마켓'에서 가까움|Central Business District/중심업무지구

인스타 핫플 호텔

스페이스 니들

야경

Giovanna Kinnear

주변 지역의 아름다운 풍경을 감상하고, 니들까지 걸어 올라가 꼭대기까지 올라가 보세요! 날씨가 좋은 날에 가시고 티켓은 미리 구매하세요!

시애틀 센터

역사건축물

梦露夫人

그림 1과 같이 벨뷰에서 시애틀 520 브리지까지 걸어갈 수 있습니다. 또한 매우 아름다운 공원이자 주차장이기도 합니다. 다리를 건너 시애틀에 가려면 버스를 탈 수도 있습니다. 주차장에는 기차가 많고 대기 시간이 길지 않아 매우 편리합니다.

치웰리 가든 앤드 글래스

박물관

Enjoy the Journey

스페이스 니들과 치훌리 유리 박물관을 방문할 수 있는 콤보 티켓을 구매했습니다. 매우 인상적인 유리 예술 작품입니다. 데모/워크숍을 놓치지 마세요.

비행기 박물관

Daniel in Shenzhen

보잉의 과거와 미래를 볼 수 있는 좋은 장소입니다. 창립 이후의 발전과 지금까지 있었던 장소가 훌륭합니다.

파이크 플레이스 마켓

Lex Danger

놀라운 해산물과 즐거운 분위기! 샌프란시스코를 떠올리게 해요. 가장 좋은 부분은 거리 공연자들을 보는 것이었어요! Motley Cr&uuml;의 Dr. Feel good에 맞춰 드럼을 치는 여성을 만났는데 정말 멋졌어요! 해산물 상인 4명과 함께 오이스터 슈터를 먹었고, 맛있는 훈제 연어를 샀어요. 거리를 걷다가 따뜻한 초콜릿 칩 쿠키 위에 얇게 썬 바다 소금을 얹은 곳을 우연히 발견했어요. 맛있었어요! 마지막으로 터키식 런 매장이 있었는데, 그 여성이 선물에 대한 훌륭한 조언을 해주었고 제가 먹어본 바클라바 중 가장 맛있는 것을 줬어요.

시간:	Jan 25, 2025(UTC-8) ENDED
주소:	Henry Art Gallery Auditorium 상세 정보

Mutant Optics: A Conversation | Henry Art Gallery Auditorium

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