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위항구

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위항구 인기 명소

탕치 고대도시
4.5/5
358 리뷰
올드타운
탕치 고대도시(Tangqi Ancient Town)는 베이징-항저우 대운하의 항저우 구간 시작점인 유향에 있습니다. 예스러운 가옥들이 운하를 굽어보고 늘어서 있고, 고대 교량들이 여러 지점에서 뻗어 있습니다. 당서(Tangxi)는 신선한 비파와 전통 빵집으로 유명하며, 5월 말에 비파가 부드럽고 노랗게 변할 때마다 항저우 거주자들은 이곳에 모여 다채롭고 신선한 과일을 즐깁니다. 이 도시는 고대 문화의 중심에 있는 광제교, 건륭 석비, 꿔푸(Guopu) 우물이 있는 열린 평면 블록으로 구성되어 있습니다. 방문객들은 우수한 운하 박물관에서 운하와 당서의 역사적 연관성에 대해 더 많이 알아볼 수 있습니다.
양저문화마을
4.5/5
94 리뷰
문화관광단지
항저우 위항구에 위치한 양저문화마을(Liangzhu Culture Village)에는 량주 사이트(Liangzhu Site), 량주 문화 박물관(Liangzhu Culture Museum), 량주 생태 산림 공원을 비롯하여 골프장 및 워터 파크와 같은 엔터테인먼트 시설도 있습니다. 량주 사이트는 중국 신석기 시대의 유명한 유적지로 궁전, 제단, 묘지, 작업장, 농지, 마을 등을 볼 수 있습니다.
량저박물관
4.4/5
152 리뷰
박물관
량저(양저)박물관은 위항구 량저진에 위치한 곳으로 박물관 내부는 3개의 전시실로 운영 중입니다. 인근 유적지에서 출토된 정교한 옥기 등 실제 유물들을 전시하였습니다. 전시 관람 외에도 다양한 체험 프로그램이 있어 직접 체험을 통해서도 량저의 문화 발전 역사를 배울 수 있습니다.
시시 국가습지공원(서계국가습지공원)
4.5/5
17,141 리뷰
습지
유람선
시시 국가습지공원(서계국가습지공원)은 항저우(항저우) 도심 서쪽에 있습니다. 그 환경이 수려하고 그윽하며, 물길이 자유자재로 뻗어있습니다. 이 습지는 도시에서는 보기 힘든 천연 습지로 '항저우의 콩팥'이라고도 불립니다. 배를 타고 갈대가 무성한 늪을 지나가며 <쉬즈더원>의 촬영지를 찾아보거나 숲속의 츄쉐안(추설암), 메이주산좡(매죽산장) 등의 고적을 찾아보는 것도 매우 즐거운 체험이 될 것입니다.

액티비티

  • 인기 액티비티
40% 할인
중국 무제한 포켓와이파이 플레이와이파이
4/5
5 리뷰
내일부터 바로사용
최저가KRW3600
29% 할인
항저우 서호 유람선 탑승권
3.3/5
6 리뷰
오늘부터 바로사용
최저가KRW5834

위항구 날씨

|
오늘
2019년 11월 22일
11 °
흐림
11-19
내일
2019년 11월 23일
12 °
구름 많음
12-21
일요일
2019년 11월 24일
15 °
구름 많음
15-22
월요일
2019년 11월 25일
9 °
약한 비
9-23

트립 모먼트

Shirley Zhu   
Liangzhu Culture Village is a new resort in Hangzhou. The Liangzhu Culture Village carries the millennial culture of Liangzhu and also the architectural masterpieces of international masters. This magical town full of humanities, since the passage of the subway, surrounded by deep mountains, she became the back garden of Hangzhou people weekend.
Along the quiet road to the south, it is a beautiful chapel that is comparable to the "Light Church". It is backed by the road and the jungle, occupying a quiet and peaceful place. Its design is inspired by the traditional Japanese palm-style architecture. The wood used in the church is from Japan to ensure unbeaten performance for a hundred years. The faint woody fragrance and the influx of light make the space and nature like one, pure and eternal. There is no photo in the room because there is no photo in the room. There is no cross in the inside, but the window of the big rear window just forms a cross. It is seen through the window. It is a grassy tree with a sacred glory. In the sense, it is very close to the church of light. Some deliberate, more simple and simple, more embody the understanding of the "Tao" of the East. Buddhism also said that it is cheaper, but it also refers to people's hearts, so the truth in the world is sometimes the same. There was a shadow on the open space in front of the beautiful Chau Chau. It rained fine and the years were quiet.
Going southeast, it is the Liangzhu Culture and Art Center. It is often envied by a thousand miles of envy, just for a glimpse of its style. This clear-water concrete building from the hands of Japanese architect Ando Tadao has a good interaction with nature. The light pours down from the roof of the opening, and is reflected between the rippled water and the building wall. It is so ethereal and deeply touched. The art center is divided into two by the stairs in the underground parking lot. On the left is the Xiaoshuwu opened by Gao Xiaosong, and on the right is a public entertainment venue like a cinema. Walking into the art center, the interior and exterior form a very beautiful frame painting through the opening and closing space of the building.
All walls are unpainted and decorated concrete cement, and deliberately retain the traces of the model when the precast is poured. This simple tranquility makes a reflective decoration. The interior of the building is arranging a number of triangular glazed windows that allow natural light to penetrate the building.
Speaking of the use of light, this is also the hand of Ando. In Ando, natural light is a symbol of nature and a symbol of divinity. The Osaka "Light Church" designed by him is to create a cross-shaped gap on the wall, allowing natural light to shine directly from such a gap. There is really a magical sense of solemnity.
There are huge three-story steps on the side of the water. These steps only lead to the open water surface. They are not able to pass. People walk down the steps and can only seduce the water, then slowly turn back and return to this. In the construction of reinforced concrete, it is because of this attitude of opening to the open green space behind the water and the surface of the water, so that the whole building presents a warmth. It seems to be human beings. On the one hand, it uses the fortress to isolate itself from nature, but on the other hand it is extremely eager to meet with nature.
If you want to see the same Hangzhou, you can come to Liangzhu Cultural Village to experience the contemporary expression of Jiangnan settlement architecture and experience the perfect combination of classical and pioneer.
Posted: 2019년 8월 17일
Shirley Zhu   
The architectural design of the Liangzhu Museum is from the hands of British minimalist master David Chipperfield and I have heard many architectural awards. The appearance is rough and atmospheric, and the gray-white wall has no decoration. It looks simple and smooth, and it is interesting with the beautiful continent park around the green river lawn. Surrounded by water, before entering the pavilion, you must first pass through the long moat bridge, and then pass through the tall city gate, the wall is high, as if you really want to lead people step by step, return to the dreamy, mysterious water country Zeguo. The three exhibition halls of the
are the water village Zeguo, the civilized holy land, and the jade soul country. The three interconnected and independent exhibition halls are considerable, accessible and playable. The reopened Liangzhu Museum has four collections, and more than 600 pieces of cultural relics have been expanded. The pottery, jade, stoneware, bones, lacquerware, etc. currently unearthed from Liangzhu Site have a full range of exhibitions. . The daily chores of the ancients 5,000 years ago, through these displayed instruments, silently told us.
The first impression of entering the museum is that the display is diverse, the light is transparent, the area is divided and the atmosphere is reasonable and orderly. The cultural relics here are no longer high, and the way of affinity is so that even the young people who are going to school can easily understand the brilliance of Liangzhu civilization. The style of the
Second Hall Civilization Holy Land is quite different, there are more interactive devices here. The entrance of the exhibition hall is the sand table model of Liangzhu Ancient City, showing the structural layout of the ancient city.
The third exhibition hall - the national soul of Yuxi. The survival of the country requires social cohesion and a unified belief in the gods to maintain. In Liangzhu, jade rituals and the etiquette system behind them are important carriers. An important feature of Chinese civilization is the jade civilization, which has a history of 7,000 years. No matter whether it is the pre-Qin sage or the Han and Tang emperors, no one can resist the temptation of this tough, beautiful and rare stone. The source of Chinese jade culture comes from Liangzhu.
The millennium has sealed history, and these lovely artifacts that are active in front of us bring the story behind people and the land to everyone. After reading the Liangzhu Museum, there are eight words in my mind: life is clear, everything is cute.
Posted: 2019년 8월 17일
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