Walking into Longxing Temple, I feel that it is no longer a simple Buddhist temple, but more a cultural relic to show to the world. Among them, the old and true sense of history is by no means comparable to the construction and reconstruction, which is very impressive. Maybe I went during the off-season of tourism, and the temperature was more than 30 degrees. If there were few large temples, they would feel solemn under the sultry atmosphere. There was a slight depression in the quiet. It was hard to imagine the prosperity of the temple thousands of years ago. The whole monastery gathers the wisdom and exquisite craftsmanship of ancient craftsmen. The temple's architecture is unparalleled, the frescoes are vivid, the bronze-cast thousand-handed Guanyin is tremendous, the colorful hanging hills "inverted Guanyin" are spectacular and quiet, and the wooden runner is rare and unique. What impressed me most was a mural depicting the whole process of Sakyamuni's birth, renaissance, asceticism, Taoism and Nirvana. Unfortunately, the lack of protection for the murals themselves, many murals in the temple in addition to accompanied by the time of weathering, the edge also due to the impact of climate mildew off, I do not know how many years can continue for later generations to appreciate.